calissa: (Default)


I regret to announce that I am once again winding up the blog here at Earl Grey Editing. This is definitely sooner than I had anticipated, but a combination of factors is making blogging here difficult for me to sustain.

I will continue to review for Nerds of a Feather, so please join me there. I will also continue to be available for editing work.

As I said last time, change is a constant, so I hope that at some point in the future circumstances will shift again and I will be able to return to blogging at EGE. But for now, I’m signing off.

Thank you to everyone for all your support. It has meant a lot to me and I hope we can have tea together again sometime soon.
calissa: A black and white photo of a large, dark teapot and a small Chinese teacup with a fish painted on the side (Tea)


Brewing Community is a series of guest posts in which readers, writers, artists and fans are invited to share their experiences of community. Whether online or in person, these groups bring a great deal of support and sometimes stress to their members. The aim of Brewing Community is to share the joy and find ways to brew stronger communities.

The series first ran in 2015. In returning to it after several years, I wanted to focus on how these experiences of community may have changed in recent years, and how people would like to see them change, as well as delving into what books and media have brought comfort in difficult times.

Today’s guest is Tansy Rayner Roberts. These days, she’s primarily a writer of cosies (both the SFF and the mysteries kind… sometimes both at once). However, she’s also a co-host of the Verity podcast and formed one third of Galactic Suburbia.

Interview with Tansy Rayner Roberts )



Photo credit: Tansy Rayner Roberts


Tansy Rayner Roberts is the author of the Teacup Magic novellas (cozy gaslamp fantasy), and The Creature Court Trilogy (dark, blood-spattered gaslamp fantasy). Under the pen-name Livia Day, she also writes mystery novels set in her home of Tasmania.

Tansy’s recent releases include From Baby Brain to Writer Brain (Brain Jar Press), Dyed and Buried, and Spellcracker’s Honeymoon.

Until the perfect social media platform to rule them all is invented, you can find her on Twitter & Instagram as @tansyrr, or subscribe to her newsletter: https://tinyurl.com/tansyrr
calissa: A low angle photo of a book with a pair of glasses sitting on top. (Mt TBR)


April was largely focused on the Magical Readathon. I read a fair bit of non-fiction, which slowed me down, but this was counterbalanced by the motivation of the readathon.

Mt TBR Status



Mt TBR @ 1 January 2022: 360
Mt TBR @ 31 March 2022: 396
Mt TBR @ 30 April 2022: 390

Items Read )


Acquisitions )
calissa: A black and white photo of a large, dark teapot and a small Chinese teacup with a fish painted on the side (Tea)


Brewing Community is a series of guest posts in which readers, writers, artists and fans are invited to share their experiences of community. Whether online or in person, these groups bring a great deal of support and sometimes stress to their members. The aim of Brewing Community is to share the joy and find ways to brew stronger communities.

The series first ran in 2015. In returning to it after several years, I wanted to focus on how these experiences of community may have changed in recent years, and how people would like to see them change, as well as delving into what books and media have brought comfort in difficult times.

Of all the people I’ve met at SFF cons over the years, one I count myself most fortunate to have met is Rivqa Rafael. She is a talented writer, insightful editor, stalwart friend and fierce advocate for justice and compassion. Today she offers something a bit different to the usual interview.

Balancing Burnout and Connection: or How I Learned to Stop Worrying* and Skip Online Cons )

* Statement may not be true.



Photo credit: Bruria Hammer


You are what you write, which is why most of Rivqa Rafael’s fiction is about queer and/or Jewish women. Her award-winning and shortlisted stories have been published in Strange Fire (Ben Yehuda Press), Strange Horizons, Escape Pod, and elsewhere. Rivqa lives in Sydney, where she studies psychology, works as a science editor, and dabbles in kitchen alchemy. She can be found online at rivqa.net or on Twitter as @enoughsnark.
calissa: A low angle photo of a book with a pair of glasses sitting on top. (Mt TBR)




This week, I’m over at Nerds of a Feather with a review of Sanctuary by Andi C. Buchanan. It’s a book that centres diversity through a found family ghost story.

calissa: A low angle photo of a book with a pair of glasses sitting on top. (Mt TBR)


Although I’m not a big fan of King Arthur and the legends of Camelot, I could not resist the promise of a queer retelling. Which is a good thing for me, because Spear was a book I genuinely savoured.

It retells the story of the knight Percival, referred to here as Peretur which is the sixth century Welsh version of the name. However, the issue of a name is a fraught one. She was raised in the wild by her mother, a mentally unstable woman who nevertheless has great magical ability and who knows that there is power in names. So for a while, the main character has no fixed name, but is referred to in different ways, depending on whether her mother is having a good day or a bad one.

Eating daily from one of the treasures of the Tuath De, Peretur grows up strong. Knowing how to speak to the animals and insects helps her to learn how to hunt and fight. One day, she saves a group of knights and knows that it is time to leave her home and meet her destiny: to become a knight and to answer the call of the Lake.

It is strange to me that this is such a short book (coming in at under 200 pages, it’s really an oversized novella) because it has the feel of an epic. The language is rich, the initial shock of it seeming almost purple before I acclimatised to its beauty. It paints a natural world that is vibrant and alive, filled with its own secrets and companions, which contributes to a sense of the mythic.

This is shored up by the interweaving of Celtic legend into the traditionally rather Christianised tales of Camelot. Although the Celtic deities nominally remain in the Overland, away from mortals, their presence and the consequence of their actions remain very present. Likewise, the four treasures of the Tuatha De Danann — the stone, the sword, the spear and the cauldron — are material items fought over by immortals and mortals alike. This interweaving brought a new angle to the story for me, making it of more interest, and was so neat it seems surprising it hadn’t been thought of before.

(Although, perhaps it has. The author’s note humourously comments on the time-honoured tradition of stealing and reworking elements, common not only to the creative process in general, but in renditions of the legends of Camelot in particular. I’m very unfamiliar with the source material and therefore not in a position to judge definitively.)

Another relatively fresh approach to the tale was the diversity of the cast. While Peretur did not read to me as trans (her pronouns were consistently she/her and there was no indication of gender dysphoria; cross-dressing seemed mostly a matter of practicality and a way of being socially acceptable in the kind of role she wanted to fill), she was most certainly queer. The king’s Companions include knights with a range of skin tones; notably, white is not the assumed default and is explicitly described where present. Nor are the knights necessarily able-bodied. Delightfully, this makes Lance a brown, disabled, bisexual man (thus subverting the love triangle I always hated by making it a triad). The author herself puts it best:

“Most importantly for me, historical accuracy also meant this could not be a story of only straight, white, nondisabled men. Crips, queers, women and other genders, and people of colour are an integral part of the history of Britain — we are embedded at every level of society, present during every change, and part of every problem and its solution. We are here now; we were there then. So we are in this story.”



Spear was the very first book I read in 2022 and it set the bar high. I was captivated by the magic of it, and its poignant longing to belong even after having the door shut in one’s face (multiple times). In the end, I don’t know whether to hope for a sequel or to simply relish this compact slice of epic.
calissa: A low angle photo of a book with a pair of glasses sitting on top. (Mt TBR)


My reading is getting slower and slower this year. I’ve decided it’s time to officially downgrade my reading goals and have set my Goodreads Challenge down to 100 books.

Speaking of reading challenges, I didn’t even glance at my selections for the mini Magical Readathon. I was rather disappointed, but recognise I’ve got a lot going on at the moment. And it turns out I will get a second chance, with the April edition of the readathon going ahead after all.

Mt TBR Status



Mt TBR @ 1 January 2022: 360
Mt TBR @ 28 February 2022: 389
Mt TBR @ 31 March 2022: 396


Items Read )

Acquisitions )
calissa: A low angle photo of a book with a pair of glasses sitting on top. (Mt TBR)


In my TBR report for January, I mentioned getting sucked in to Kobo’s subscription service. One of the ways that happened was through Murder Most Actual by Alexis Hall. The book is currently being offered as a Kobo exclusive and since I’ve very much enjoyed what I’ve read of Hall’s work to date, I couldn’t resist.

Murder Most Actual is, unsurprisingly, a murder mystery. Liza and Hanna’s marriage is going through a rough spot, so Hanna books the couple in for a weekend at a secluded castle-turned-hotel in the Scottish Highlands. The lack of internet and mobile phone reception seems ideal for giving Liza some distance from her work as a popular true crime podcaster… until they get snowed in. And the bodies start to drop. Literally: the first victim is a guest that falls from the castle tower.

Of the books by Alexis Hall I’ve read so far, Murder Most Actual reminded me most of The Affair of the Mysterious Letter. Both are books in which the author is messing about with genre in a fun way that is at times rather meta (though I note he does a bit of this in Boyfriend Material as well). In Murder Most Actual this takes the form of bringing together both murder mystery and true crime, then looking at the gaps between them, and bringing some critiques of those genres.

The murder mystery elements come out most strongly in the characterisation. Fans of Cluedo will immediately pick up on the colour-coding of the other guests: the reverend wearing a green sweater, the colonel in the mustard tie. Not only was this an entertaining nod to a landmark work of the genre, it also helps immensely to keep track of the large cast of characters. There are also nods to other giants in the field; Agatha Christie’s mark can be seen on the short inspector with the dubious foreign accent who is hot on the trail of a criminal mastermind. These characters are ridiculously stereotypical in a fun way that helps to point out how over-the-top murder mysteries can be.

Although the secondary characters are not exactly well-rounded, Liza and Hanna certainly are. The author used this technique previously in Boyfriend Material and it works here to good effect. Their relationship has nuance; both of them love each other a great deal and want to make things work, but have grown apart over time and have coping mechanisms that make things worse. Insecurities come up and although they are dealt with in the course of the story, it is acknowledged that they will more than likely come up again.

One of the key conflicts that comes up between them is that Hanna just doesn’t get Liza’s interest in true crime. This is one of the ways in which the genre gets critiqued. Hanna has reservations about the ethics of the genre and while she agrees that Liza behaves ethically for the most part, there are times when Liza crosses the line by asking inappropriate questions and harassing other guests — who, Hanna is at pains to point out, are people. It also sends Liza running off into danger when the most prudent choice would be to head in the opposite direction. Nevertheless, I found Liza’s obsession with solving the puzzle she’s presented with to be relatable.

Murder Most Actual is definitely not the most subtle of the author’s work, with a tendency to lampshade his points. It also felt overly long, with the middle dragging. Given the number of characters, a novella form might have done it a disservice and cutting the number of characters reduces the pool of suspects. Still, I could feel my attention wandering at times.

But on the whole, it was a fun book and an entertaining read.

Published: November 2021 by Kobo Originals
Format reviewed: E-book (epub), 302 pages
Genres: Mystery
Source: Kobo
Available: Kobo
calissa: A low angle photo of a book with a pair of glasses sitting on top. (Mt TBR)




This week, I’m over at Nerds of a Feather with a review of The Aurora Cycle by Amie Kaufman and Jay Kristoff. It’s a stylish teenage space opera offering action and adventure.

calissa: A black and white photo of a large, dark teapot and a small Chinese teacup with a fish painted on the side (Tea)


Brewing Community is a series of guest posts in which readers, writers, artists and fans are invited to share their experiences of community. Whether online or in person, these groups bring a great deal of support and sometimes stress to their members. The aim of Brewing Community is to share the joy and find ways to brew stronger communities.

The series first ran in 2015. In returning to it after several years, I wanted to focus on how these experiences of community may have changed in recent years, and how people would like to see them change, as well as delving into what books and media have brought comfort in difficult times.

Today’s guest is Catherine Lundoff. I know her best as the driving force behind Queen of Swords Press and a fellow tea aficionado, but she’s also an author of speculative fiction and erotica, as well as a LGBQIA advocate. When it comes to building community and putting one’s money where one’s mouth is, Catherine is a shining example.

Interview with Catherine Lundoff )


Photo credit: Ben Zvan




Catherine Lundoff is an award-winning writer, editor and publisher. She owns and operates Queen of Swords Press, a Minneapolis-based genre fiction publishing company and is a recipient of a 2021 Ladies of Horror Fiction Writing Grant. Blood Moon is the second volume in her Wolves of Wolf’s Point series. Her other books include Silver Moon, Out of This World: Queer Speculative Fiction Stories and Unfinished Business: Tales of the Dark Fantastic and as editor, Scourge of the Seas of Time (and Space). She is also the author of over 100 published short stories and essays which have appeared in such venues as Fireside Magazine, Nightmare Magazine, the SFWA Blog, Sherlock Holmes and the Occult Detectives, American Monsters Part 2 and such World of Darkness anthologies and games as Wraith: Haunting Shadows, Vampire the Masquerade: The Cainite Conspiracies and Wraith: Ghosthunters. In addition, she teaches writing classes at the Rambo Academy and Springboard for the Arts and she will be the Author Guest of Honor at Marscon 2022 in Minneapolis. Websites: www.catherinelundoff.net and www.queenofswordspress.com

calissa: A low angle photo of a book with a pair of glasses sitting on top. (Mt TBR)


It has been well over a year since I returned to blogging at Earl Grey Editing. In that time, I haven’t once written about readathons. There are a variety of reasons for this, one of which is some ongoing health challenges; it takes more spoons than I currently have to track which readathons are on and to squeeze extra reading time into my schedule.

However, there are two readathons that I still follow: Dewey’s 24-hour Readathon and the Magical Readathon. Both customarily run twice a year in April and October, often with smaller challenges at various points in between.

The Magical Readathon is run by G of The Book Roast. She recently mentioned that due to health issues, she was not confident April’s edition of the challenge would be ready in time (I can certainly relate). Instead, she has elected to run a smaller week-long challenge on 14-20 March.

The Magical Readathon is a unique challenge. Originally themed after Harry Potter’s wizarding tests, G elected to step away from that after J.K. Rowlings’s transphobia became obvious. To replace it, she has created her own unique fantasy world. The first readathon in this setting took place last year, as the students traversed a perilous path to the Orilium Academy. Themed reading prompts were offered for each of the locations along the way. Participants were also sorted into guilds based on the roleplaying options they chose.

Character creation is governed by reading prompts as well. Want to play an elf? Read a book with a moon or stars on the cover or in the title. Want to come from a city? Read a book set in a city.

The theme of the mini readathon is gear. It’s a chance to pick up a magic wand or a familiar… or a variety of other cool things. And if you’ve missed the previous challenges, it’s a chance to catch up.

If you think this sounds cool, but are feeling a bit intimidated, I promise it’s not as complicated as it sounds. G always emphasises that the readathon is meant to be fun and supports adapting it in ways that make it accessible for you.

You can find more information over at The Book Roast.

I hope you’ll join me on this adventure.
calissa: A low angle photo of a book with a pair of glasses sitting on top. (Mt TBR)


February was the month of short: two short story collections, a book of short poems and a couple of novellas. Perhaps that’s fitting for a short month.

My reading has continued to be slower this year than it used to be. I’m doing my best to roll with it, but it trips up my planning from time to time.


Mt TBR Status



Mt TBR @ 1 January 2022: 360
Mt TBR @ 31 January 2022: 388
Mt TBR @ 28 February 2022: 389

Items Read )

Acquisitions )
calissa: A low angle photo of a book with a pair of glasses sitting on top. (Mt TBR)


This week, I’m over at Nerds of a Feather with a review of The Art of Broken Things by Joanne Anderton. It’s a new collection of short stories by one of Australia’s most talented writers of dark speculative fiction.
calissa: A black and white photo of a large, dark teapot and a small Chinese teacup with a fish painted on the side (Tea)


Brewing Community is a series of guest posts in which readers, writers, artists and fans are invited to share their experiences of community. Whether online or in person, these groups bring a great deal of support and sometimes stress to their members. The aim of Brewing Community is to share the joy and find ways to brew stronger communities.

The series first ran in 2015. In returning to it after several years, I wanted to focus on how these experiences of community may have changed in recent years, and how people would like to see them change, as well as delving into what books and media have brought comfort in difficult times.

Today’s guest is Kat Clay. She is one of the organising forces behind the Australian Science Fiction and Fantasy Writers’ Association, a talented writer, charming host of award ceremonies, snappy dresser and a partner in adventures involving tea and cake.

Interview with Kat Clay )

Photo credit: Justin Bennett



Kat Clay is a writer, critic, and content producer from Melbourne, Australia. Her short story ‘Lady Loveday Investigates’ won three prizes at the 2018 Scarlet Stiletto Awards, including the Kerry Greenwood Prize for Best Malice Domestic. Kat’s short stories have been published in Aurealis, SQ Mag, and Crimson Streets. Her non-fiction and criticism has been published in The Guardian, The Victorian Writer, Weird Fiction Review, and on her YouTube channel.
calissa: A low angle photo of a book with a pair of glasses sitting on top. (Mt TBR)


February is the month of Valentine’s Day, so I usually like to review some romance novels. But sometimes what I really want is an action-packed space adventure with a grudging friendship at its heart.

Rig lives on the fringes of a society carved up by three human factions. Once, she was a brilliant inventor for one of the factions. Now, she devotes her energy to smuggling refugees from the factions’ war to safe places, making the occasional legitimate cargo run in order to make some money. When her former faction catches up with her, she finds herself thrown together with a deadly fighter with a mysterious past. The pair team up to escape and rescue Rig’s sister from her former faction.

Bluebird was such fun to read. It had a cinematic style and had some great set pieces, starting with a sharp-shooting game at a bar and moving at various points through a couple of motorbike(ish) chases, a heist/spy infiltration of a ball and a spaceship chase through a debris field, to name a few. It kept a good action-adventure pace, while still managing some quieter, more emotional scenes where the characters connect.

The majority of the story is told in a close third-person perspective focused on Rig. This is interspersed with interludes detailing Ginka’s backstory.

Bluebird has been compared to the TV show Firefly and I can definitely see aspects of it. Rig is a sassy rebel on the fringes of society, trying to keep her ship together and get paid while sticking it to those in charge. Ginka also has a bit of a River Tam vibe to begin with: petite but deadly, and a bit niave about how the world works. But there’s no rag-tag crew; while there are some found-family feelings here and there, the true heart of the story is the friendship that develops between Rig and Ginka. I appreciated that it was something the characters particularly valued. In this sense, the story reminded me a bit more of Archivist Wasp… although that may also have been a bit of Ginka’s techno super-ninja vibe paired with Rig’s hardy make-do survival. And while there is no romance between these characters, they do have love interests elsewhere (June, Rig’s sexy-librarian girlfriend, is an absolute delight).

Given that this was a debut novel, the style was very readable, without any of the awkwardness that sometimes creeps in. However, there were a few places where the plot felt a little thin and the worldbuilding wasn’t the most complex. For example, it didn’t seem plausible that there was so very little information known about one of the factions when it remains a major player in galactic politics. That said, these quibbles weren’t enough to detract from my enjoyment.

All in all, I had a blast reading Bluebird and recommend it if you’re in the mood for a fun space romp. I’ll be keeping an eye out for more work from this author in future.

Published: February 2022 by Angry Robot Books
Format reviewed: E-book (epub), 400 pages
Genres: Science fiction, space opera
Source: NetGalley
Available: Publisher (print and electronic) ~ Abbey’s ~ Amazon (AU, CA, UK, US) ~ Barnes & Noble ~ Book Depository ~ Booktopia ~ Dymocks ~ Indiebound ~ Kobo

Disclaimer: I was provided with a free copy of this book in exchange for an honest review.
calissa: A low angle photo of a book with a pair of glasses sitting on top. (Mt TBR)


My Mt TBR skyrocketed this month, as I got sucked into Kobo’s e-book subscription service. The plan is to stay with it for a couple of months to work through the things I’m interested in reading and then let it go… but we’ll see how that works out.

Mt TBR Status


Mt TBR @ 1 January 2022: 360
Mt TBR @ 31 January 2022: 388

Items Read )


Acquisitions )
calissa: A low angle photo of a book with a pair of glasses sitting on top. (Mt TBR)


The Rook by Daniel O’Malley had been languishing on my Mt TBR for some time when the TV series was released. I watched the first season, or maybe part of the first season, before eventually wandering off to shinier shows. More recently, I dusted off the book because it fit a prompt for last year’s Magical Readathon and I figured I’d be able to skim through it fairly quickly since it didn’t seem all that interesting.

Friends, I have learned my lesson once again: always read the book first. It turns out the TV show took itself way too seriously, added some distasteful elements for drama and completely murdered the tone of the book.

Myfanwy Thomas wakes up in a London park with no memory of who she is and surrounded by bodies wearing latex gloves. In her pocket, she finds a letter from her former self offering her a choice: flee and start a new life, or return to the supernatural organisation she worked for and discover who has betrayed her.

The Checquey is rather like if the X-Men ran MI5. All of the top level members (named after chess pieces) have supernatural powers, including Myfanwy. But Myfanwy’s real superpower is a gift for administration. This delighted my heart in so many ways. In fact, the beginning annoyed me a bit with the way the old Myfanwy was so amazingly organised — leaving letters and binders full of information on her life — while the new one seemed more bumbling and reactive. However, her bewilderment makes it all the more satisfying as she grows into her powers, both supernatural and personal.

The letters and binder the old Myfanwy has prepared makes for a smart, plot-relevant way of info-dumping. The reader gets to learn about the people and organisation along with the new Myfanwy. As the book progresses and there’s less need for explanation, these morph more into a diary, giving us a glimpse into the old Myfanwy’s life and the predicament in which she found herself. It becomes a clever way to offer more pieces of the puzzle. Because the heart of the novel is a mystery: who has betrayed Myfanwy and why?

While this heart is very genuine, the story is also very tongue-in-cheek. Myfanwy’s organisational powers are definitely part of this. It amused me how Myfanwy never picked up on the way the underlings around her were terrified of her as a stickler for procedure and protocol. There was also a lot more slime and tentacles than you’ll see in James Bond (and the TV series; why, oh why did they cut that out?). Some of the villains also played with James-Bond-style tropes in a way that was very entertaining.

Another big strength of the book was the relationships between the female characters. It’s hard to say much here without giving spoilers, but I appreciated the variety in the relationships between the women and how they were never in competition. It was also a delight to see multiple competent women at work. And while Myfanwy is not exactly the celibate type, her focus is most definitely her career and not her love life; there was no romance shoehorned in.

In conclusion, I’m immensely relieved that I didn’t let the TV series talk me into unhauling The Rook without reading it first. I would have missed out on a smart, funny book that was an absolute delight. I’m very happy I have the sequel on hand… and that a third in the series is scheduled for release later this year.

Published: January 2012 by HarperCollins
Format reviewed: Paperback, 484 pages
Series: The Checquey Files #1
Genres: Science fiction
Source: Dymocks
Available: Abbey’s ~ Amazon (AU, CA, UK, US) ~ Barnes & Noble ~ Book Depository ~ Booktopia ~ Dymocks ~ Indiebound ~ Kobo
calissa: A black and white photo of a large, dark teapot and a small Chinese teacup with a fish painted on the side (Tea)


Brewing Community is a series of guest posts in which readers, writers, artists and fans are invited to share their experiences of community. Whether online or in person, these groups bring a great deal of support and sometimes stress to their members. The aim of Brewing Community is to share the joy and find ways to brew stronger communities.

The series first ran in 2015. In returning to it after several years, I wanted to focus on how these experiences of community may have changed in recent years, and how people would like to see them change, as well as delving into what books and media have brought comfort in difficult times.

My first guest is, to borrow his own phrase, a force for Genre Goodness. Paul Weimer is a prolific, Hugo-nominated reviewer. I’ve had the very great pleasure of working with him both at The Skiffy and Fanty Show and now at Nerds of a Feather. He’s the sort of person who builds community wherever he goes — introducing people and enthusiastically sharing their work — and he has been a fantastic mentor to me.

Interview with Paul Weimer )



Photo courtesy Peter West Carey


A 2021 double Hugo Finalist (Best Fan Writer and Best Fancast) and the 2017 Down Under Fan Fund Delegate from North America to Australia and New Zealand, Paul Weimer has been exploring and talking about genre since the early days of blogs. Having honed his genre reviewing and criticism skills at the award winning SF Signal blog and podcast, Paul Weimer now writes for (and podcasts at) The Skiffy and Fanty Show, SFF Audio, Nerds of a Feather and Tor.com. He is the writer of “What I did on my Summer Vacation: The 2017 Down Under Fan Fund Report”, which set a record for number of photos in a fan fund report of any type in addition to documenting the National SF conventions of New Zealand (Lexicon 3) and Australia (Continuum 13). And of course, a visit to Hobbiton amongst many other adventures.

Paul Weimer lives in a city lying between Minneapolis and St. Paul in Minnesota, USA, where the long winters provide plenty of time to read as well as plan his photographic adventures. He is best found on social media sites, from Twitter to Instagram to Discord under the name [personal profile] princejvstin, and his website is http://www.princejvstin.com
calissa: A low angle photo of a book with a pair of glasses sitting on top. (Mt TBR)


This week I’m over at Nerds of a Feather with a review of Dark Rise by C.S. Pacat. It’s a story that brings some shades of grey to the traditional battle between light and dark, walking a fine line between paying homage to classic works of fantasy and generic predictability.
calissa: A low angle photo of a book with a pair of glasses sitting on top. (Mt TBR)


Happy New Year! I hope those of you celebrating had wonderful holidays.

With another year’s reading wrapped up, I find myself pondering the changes to my annual reading totals over time. 2021 was my sixteenth year of gathering data. Prior to 2015 (which was my first full year of running the Earl Grey Editing blog), I wasn’t consistently reading more than 100 books. Starting the blog almost doubled the previous year’s total. 2016-2019 stats were influenced by judging for the Aurealis Awards, which is what consistently pushed my annual reading totals into triple digits.

2020 was a year without judging and largely without reviewing. Even without these factors, I still managed to read 169 books. This gives more weight to my feeling that judging has permanently changed the way I read.

2021 seems to have played out a little differently. While I have once again managed to reach triple digits, the final total wasn’t quite as high as I’d expected. One difference to last year was that I was reviewing, but while this has surely pushed up the total somewhat, it didn’t entirely counter the lulls. This was particularly the case towards the end of the year. It’s hard to say whether stress was a factor or whether this is simply part of a new pattern to my reading. After all, continual growth is not sustainable. Perhaps 2022 will shed some light.

Mt TBR Status



Mt TBR @ 1 January 2021: 426
Mt TBR @ 30 November 2021: 361
Mt TBR @ 31 December 2021: 360

Items Read )

Acquisitions )

Reading Goals )

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